The novel’s mission is to introduce public reality and break down taboos. The novel is a kind of art, and art is an uninterrupted yearning for beauty and thus other values, whether a historical value, cause-bearing speech, or taboo altercation. They are all present in the writer’s mind at the time of writing, a condition that does not overshadow the aesthetic artistic goal that has priority in writing novels in my opinion. Any perception of literature, however extreme it may be to move away from ideology, or to declare its denial and opposition to its concepts, involves whether or not it wants to respond, a clear ideological dimension. Literature is a discourse that develops on this ground, involves it, and exercises its activity on. It is an ideologically saturated discourse to which values and relationships come after they have been popularized by relations of social, moral and political forces. It is therefore the function of criticism to reveal these implicit dimensions, and to learn about the ideology of the texts that it addresses. It is a function that is not connected only to exposing the ideology of texts, but also to identifying the transformations that have taken place throughout the history of modern literature.
Keywords: Discourse, Ideology, Literature, Taboo, linguistic system, stylistic texture
