This qualitative analysis employs Critical Discourse Analysis (CDA) to explore the song lyrics of “Naʾət (ʾəyamämäw qut’ər 2) Naat (Paining No. 2) ” by Teddy Afro, a prominent Ethiopian musician known for blending elements of nationalism, humanism, and political activism in his music. The study focuses on understanding how Teddy’s lyrics reflect themes of nationalism, humanism, and the quest for democracy within the Ethiopian context. Drawing upon CDA, the analysis examines linguistic and discursive strategies employed in the lyrics to convey socio-political messages. The study highlights Teddy’s role as a cultural figure and activist whose music serves as a medium for expressing societal concerns and advocating for change. Through the lens of CDA, the analysis elucidates the ways in which Teddy’s music contributes to ongoing discourses surrounding Ethiopian identity, social justice, and democratic aspirations. Ultimately, this research provides insights into the intersection of music, politics, and culture in Ethiopia, shedding light on the socio-political significance of Teddy’s musical contributions.
Keywords: CDA, Democracy, Humanism, Nationalism, Politics, lyrics, unity
