The study examined the Effect of the EndSars Protest on the Nigerian economy; with specific set objectives to find out the causes of the EndSars protest in Nigeria; ascertain the effect of the EndSars protest in Nigeria and proffer possible solutions to the causes of the EndSars protest in Nigeria. The study adopted the structural-functionalist theory and used the survey research method given the work coverage. Thus, the method of study was qualitative. Data were generated from secondary sources which included journal articles, news papers and other online sources. Literature review however shows that, SARS is notorious for its brutality and human rights abuses and the lack of accountability for their actions while the Nigerian economy suffered huge losses of billions of naira resulting from the protest. The Police Act, which was adopted in 1943, has broad discretionary powers in the hands of police officers,making the abuse of power possible. The study concludes that, EndSars protest has left memories not just on the Nigerian people and her economy but on the global community on issues of police brutality in Nigeria. The study therefore recommends that, state governments, in collaboration with security agencies and other stakeholders (Civil Society Organizations and traditional/religious institutions)should create avenues for interaction with the general populace and listen to the millions of voices calling for police reform; there should be great transformations in relationships between the police and communities and the Federal and State Governments should invest in youth employment to create sustainable economic opportunities foryoung people in the country thereby, growing the economy.
Literature is not just a piece of writing, which only entertains. It also performs some other functions such as teaching moral lessons and healing souls. Literature has turned out to be a medium of appending contemporary or conventional realities through the exposition of the socio-cultural and political experiences of a given society; since it (literature) is a product of a particular human society. A creative art is designed to x-ray life, with a view to display human experiences, feelings, imaginations, observations, predictions and suggestions for realistic purposes. Literature is one of the major weapons for class and/or societal struggles. This paper focuses on societal issues raised in Sembène Ousmane’s God’s bits of wood Marxist theory of violence is our theoretical framework in evaluating the writer’s preoccupations. As its purpose, the paper makes it bold to validate the fact that art and society are two interlocking entities. It is obvious that the oppressed in Sembène Ousmane’s God’s bits of wood are well mobilized and they behave as true agents of positive social transformation. They are very effective in the reconstruction agenda demonstrated in the novel. The paper ends by identifying the fundamental systemic challenges, which confront African societies during the colonial period and even now in the perceived global village and the writer is seen as one who embraces his environment and time very religiously in his artistic creation with a view to solving some common societal problems. Literature, therefore, is capable of activating and promoting the expected development in human societies.