Feminism & Hegemony from the Perspective of Man and Superman & Arms and the Man of George Bernard Shaw (Published)
This article aims to evaluate both texts Man and Superman & Arms and The Man of George Bernard Shaw critically. This research piece contains venerated tradition of the society towards women as well as captures the vigorous voice against suppression. In this research, the dominating tendency of one group over other will be identified specifically. Here, the supremacy of British Colonialism along with the capitalistic mentality of American will be discussed with significant points. Treatment of refugees at the dominating states during war and famine will also be evaluated in this article pivotally. Both texts are dissected in this research article to probe the voice of feminism and to show the extensive gap between higher, middle and lower class of our society. Comparative discussion will be given in this research piece in order to connect homogeneous issues.
Citation: Fahmeda Yeasmin (2021) Feminism & Hegemony from the Perspective of Man and Superman & Arms and the Man of George Bernard Shaw, European Journal of English Language and Literature Studies, Vol.9, No.7, pp.11-23
Gender, Class, And Identity in Alice Walker’s The Color Purple and Suzan-Lori Parks’ In the Blood (Published)
The genesis of suffering of Afro-American women has multilayered factors, i.e., race, class, gender, etc. But the struggle of these women is still underrepresented. The present paper looks at the representation of Afro-American women in the fictions of two Afro-American women writers – Alice Walker and Suzan-Lori Parks – to investigate the gender, class, and race dynamics in their works. Their selected works were analyzed from a comparative perspective with a view to highlight the plight of Afro-American women, and to look for possible convergence in the emancipated portrayal of their juxtaposed characters. The thematic stress and characterization of the protagonists in the selected works suggests that oppression of black women can be challenged only if they realize their own strength, in the bonds of sisterhood, for instance, or in the refusal to submission to oppressive conditions. Superficially, the writers have come up with juxtaposed images of black women – Alice Walker’s Celie victimized because of her poverty, race and gender, while Suzan-Lori Parks’ Hester allowing herself to be exploited by men, resorting to filicide in the end. But, at a deeper level both the writers chide black woman for their lack of strength to put a bold face against their oppressors.
The paper proves that How the Steel Was Tempered depicts the theory of Marxism. During the end of the 19th century and the start of the 20th century, capitalism spread in various countries in Europe. As a result, the struggle of the common masses became more organized and conscious. As the conflicts between the upper and lower class became more profound, the philosophical thought of Marxism spread rapidly. The paper makes an analysis of Marxism in How the Steel Was Tempered. The paper discusses all the Marxist ideologies found in the novel, including: the inequality between classes, anti-Capitalism, class conflict, historical materialism, and alienation. So, this paper will add a piece of new information in the existing literature.