The Odun Oba festival is a major cultural celebration in Ondo, Nigeria, which annually serves to showcase the rich cultural heritage and traditions of the Ondo people. This study examines the festival’s socio-cultural viability as it relates to improving the kingdom’s tourism potential. This study deployed printmaking as a medium to capture and depict the Odun Oba festival, using printmaking’s diverse techniques and expressive capabilities to provide a distinctive platform to document the multifaceted nature of the Odun Oba Festival. The researcher has also tried to portray the lively attires, intricate and dynamic dance performances that are integral components of the festival through relief, intaglio and planographic print media respectively. The finished prints were exhibited physically and virtually, after which a survey (using Google form) was conducted to evaluate public perception of the works. The researcher recommends that the prints be displayed in galleries, cultural hubs, and public arenas, allowing people of diverse backgrounds access to connect with the festival’s cultural legacy. It further suggests that the socio-cultural presentation of the Odun Oba Festival through the printmaking medium would not only encourage the flow of artistic expression but also act as a vehicle for preserving and passing down knowledge of the kingdom’s cultural heritage. Thus, promoting intergenerational discussions, and the nurturing of indigenous cultural identity and pride.
Keywords: Culture, Odun Oba., exposition, festival, printmaking
