Ras Kimono, one of Nigeria’s finest reggae musicians, is regarded as an evergreen musical voice and Prophet. His music has been earmarked by social commentators and fans alike as a weapon of social change, because it speaks truth to power and institutions at all times and at levels on socio-political ills that affect the masses in the society. This study, therefore, alludes that Ras Kimono is a mirror of Old Testament Prophets, who were active and spontaneous at critical times of national perils; who doubled as reformers and national advisors, alongside being seers. The purpose of this study is to highlight and attempt to re-awaken the nationalist consciousness among other themes of his arts which is lacking in post-colonial African States like Nigeria. The concern and significance of this research work bothers on the question of whether the Nigerian government and citizenry had and has ever taken his message into serious consideration in the light everyday realities which reflect some of the fears expressed by Ras Kimono in his music. Study engages in a critical assessment of the songs of Ras Kimono towards identifying in them national policies on politics, governance, religious pluralism and national cohesion as embedded in his works. The study adopts the performance and the Wallesteinian theories of nationalism as theoretical frameworks.
Citation: Akpan U.A. (2023) Ras Kimono: A Prototype of Old Testament Prophets in Nigeria, Global Journal of Arts, Humanities and Social Sciences, Vol.11, No.4, pp.41-51
Keywords: nationalist consciousness, old testament, prophets, rastafarians
