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The Development of an Indigenous Musical Style in the Methodist Church-Ghana (1835-Present)


The paper defines the primary influences on the body of music used in the Methodist Church-Ghana currently. This definition traces the historical and musical developments of a number of musical styles that have become indigenous to the church. These styles include the vernacular translations of the Western hymns used by missionaries as early as 1835, the Ebibindwom (Akan Sacred lyrics), the body of music that allowed hand clapping and the use of traditional music instruments, as well as the highlife-influenced praise and worship songs. Other styles are the choir and singing band music, which have emerged from many sources. The writer draws his conclusions based on visits to various cathedrals and his own experience as a born and bred Methodist chorister. Inferences are drawn from the major influences on the music of the church and the developments that have culminated in the different musical styles that currently constitute the musical picture of the Ghanaian Methodist Church.

Keywords: Development, Ebibindwom (Akan Sacred Lyrics), Ghana, Indigenous, Methodist Church, Musical Style

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This work by European American Journals is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License


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