Auto-fiction in its modern concept is considered an art that is a product of the modern cultural development that has conquered the world since 19 B.C. This ‘culture’ carries all the components of innovation and constant growth in human life, including the means of material and technological product, the scientific and medical prosperity, and appearance of new sciences in the arena of application and experimentation, which had not been known before, with new concepts, which helped a lot in understanding the human soul in all its conditions. Among the advantages of this awareness is the popularity of people’s interests in what is known today in modern literature by the name of the art of auto-fiction. Thus, the writer’s life or any life of any person who likes to write his autobiography are no more surrounded by precautions, prohibitions or taboos. Previously, it was forbidden to approach certain issues or even thinking about them because they were considered taboos.[1]It is possible to consider rebellion against norms, breaking social shackles, overcoming all the difficulties of reality and aspiration for emancipation as the most important motives that characterize the woman’s autobiography in the modern era. These motives characterize the modern woman’s discourse, which is actually achieved in her autobiography at all levels.
Citation: Hanan Bishara (2021) Auto-Fiction between Imagination and Reality: Aesthetics of Writing of the Arab Female Writer in The Exile of Her Society- Nawal Al-Sa’dawi’ As A Model, European Journal of English Language and Literature Studies, Vol.9, No.6, pp.37-55
Keywords: Aesthetics, Female, Feminism, Male, Society, auto-fiction
