This further study on Aravind Adiga’s “The White Tiger” pivots round the class discrimination that hints the transgression of the protagonist, Balram Halwai, as well as his corrupted masters. It robustly delineates on the protagonist who was brought up in a remote village of Bihar that is often called as the ‘Darkness’ -a place without the light of educations and modern privileges. Balram narrates the ‘ins and outs’ of his adventurous life through a letter to a foreign luminary- Wen Jiabao, the Chinese Prime-Minister, on his stopover to Bangalore as an official task that upholds the facts of poverty, the evil of the feudal landlords and the miseries of the subaltern people of India. Adiga’s approach to picture the 20th Century India, has successfully been put into practice by the paroxysms of social injuries in several corners.
Keywords: Cast, Discrimination, Entrepreneurship, Poverty, Transgression, Vicissitude
