Auto-Fiction between Imagination and Reality: Aesthetics of Writing of the Arab Female Writer in the Exile of Her Society- Nawal al-Sa’dawi’ As a Model (Published)
Auto-fiction in its modern concept is considered an art that is a product of the modern cultural development that has conquered the world since 19 B.C. This ‘culture’ carries all the components of innovation and constant growth in human life, including the means of material and technological product, the scientific and medical prosperity, and appearance of new sciences in the arena of application and experimentation, which had not been known before, with new concepts, which helped a lot in understanding the human soul in all its conditions. Among the advantages of this awareness is the popularity of people’s interests in what is known today in modern literature by the name of the art of auto-fiction. Thus, the writer’s life or any life of any person who likes to write his autobiography are no more surrounded by precautions, prohibitions or taboos. Previously, it was forbidden to approach certain issues or even thinking about them because they were considered taboos.[1]It is possible to consider rebellion against norms, breaking social shackles, overcoming all the difficulties of reality and aspiration for emancipation as the most important motives that characterize the woman’s autobiography in the modern era. These motives characterize the modern woman’s discourse, which is actually achieved in her autobiography at all levels.
Citation: Hanan Bishara (2021) Auto-Fiction between Imagination and Reality: Aesthetics of Writing of the Arab Female Writer in The Exile of Her Society- Nawal Al-Sa’dawi’ As A Model, European Journal of English Language and Literature Studies, Vol.9, No.6, pp.37-55
Keywords: Aesthetics, Female, Feminism, Male, Society, auto-fiction
“Tickets, Please”: Female Aggressiveness and the Notion of “Consummation” In D. H. Lawrence’s Fiction (Published)
Tickets, Please” is considered as one of the most aggressive tales of D.H.Lawrence as here the writer delineates for the first time a team of women literally invested with the role of avengers: they conspire against a man, attack him and force him to commit himself to marry one of them. Initially it seems that the main theme of the story evolves around the cruel punishment of the man which is to meet these women as nature red in tooth and claw coming face to face with female aggressiveness which threatens him even with death. However, the present article aspires to show how this ostensible punishment might also reveal other aspects of the authorial intention related to the writer’s convictions and beliefs concerning the concept of the real connection between the two sexes, what Lawrence calls “consummation.” It also attempts to explore processes, like that of mythicization, which Lawrence applies when delineating his heroines.
Keywords: Feminine, Jung., Male, Unconscious., consummation, mythicization